A rare find among today’s exceptional countertenors, Randall Scotting stands out.  Commanding a warm, resonant and profoundly dramatic voice, he continues to shape a remarkably versatile career.  Randall trained at the Royal College of Music in London, the Juilliard School in New York, and as a Fulbright Scholar at the Liszt Academy in Budapest.  Soon after winning 1st place in the district Metropolitan Opera Competition, he made his leading operatic debut at the Spoleto Festival in Italy under the baton of Alan Curtis.  His broad musical curiosity and strong vocal ability have led him to perform internationally in opera, concert, and recital.  Upcoming in 2019, Randall will join Boston Baroque to sing the role of Hamor in Handel’s oratorio, Jephtha.

“stunningly performed by Randall Scotting… his second aria reaffirmed the initial impact of an exceptionally powerful countertenor voice”
– Tony Ryan, TheatreReview

Randall has been praised for his intensely drawn and committed character portrayals while possessing “a voice with a broad spectrum of colors and a great variety of expressive nuance (Opernwelt).  The press continues to acknowledge his outstanding portrayal of heroic roles, including Giulio Cesare, Rinaldo, and Orlando.  Having spent several years developing the particular demands of baroque repertoire, “he shows not only his technical abilities to pull off the ridiculous florid ornamentation in spot-on Baroque style, he also demonstrates his downright impressive range” (Examiner).  Randall’s interpretations of contemporary music, utilizing over three octaves of the voice, have likewise received particular acclaim for “virtuosic skill, vocal wizardry, and commanding stage presence” (Christchurch Mail).

Notable operatic and concert highlights for Randall include Handel’s Semele with Seattle Opera, Vivaldi’s Ercole sul Termodonte at the Spoleto Festival (available on DVD), and selections from Oscar with Santa Fe Opera.  He continues to collaborate with top-level companies, including: the New York PhilharmonicNew York City OperaMinnesota OperaThe Bath International Music Festival (UK), Michigan Opera Theatre, Landestheater Neustrelitz (Germany), Fort Worth Opera, Opera Carolina, Opera Colorado, Budapest Kamaraopera (Hungary), Hobart Baroque (Australia), and others.  In concert, Randall has sung on the Göttinger music series in connection with the Göttingen Handel Festival in Germany, performed Renaissance song and Purcell in Edinburgh at historic St Cecilia’s Hall, sung Handel’s Judas Maccabeus in New York City, presented the music of Handel on tour in Italy, sung Carmina Burana with the Santa Barbara Symphony, and performed Pergolesi’s Stabat Mater in Ecuador.

A skilled actor and multi-talented performer, Randall also embraces the unconventional.  He has improvised with Bobby McFerrin at Carnegie Hall, performed Handel arias and Leonard Cohen songs while dancing a burlesque strip-tease in Paris!  for Company XIV, sung Pergolesi and Vivaldi in a Brooklyn warehouse production, performed Handel’s Ariodante  with a bluegrass band at National Sawdust, and sung in Xenakis’ psychologically challenging masterwork Oresteia  in New Zealand, all to assured critical acclaim.  While exploring emotional extremes, Randall has also presented staged versions of Schoenberg’s Pierrot Lunaire  and Peter Maxwell Davies’ Eight Songs for a Mad King  in multi-media chamber concerts.

“Scotting has a luscious countertenor sound with all of the depth and clarity most lack while singing in the stratospheric ranges of the male voice.”
– Evan McCormack, Opera Pulse

As a recitalist celebrating an eclectic array of art song, folk traditions, and new composition, Randall has been endorsed as “a versatile and probing artist, with wide-reaching repertoire interests and a deep sense of musicality and style”.  His passion for recital inspires programs not traditionally associated with the countertenor voice, including Schumann’s Dichterliebe, Ligeti’s Öt Arany-dal, and Berio’s Canzoni popolari.  He has been presented at several venues in London (St Martin-in-the-fields, The National Gallery, Handel House Museum, the V & A, ), on tour in Hungary and Czechia, as well as in Boston, Dallas, and Denver.  Randall’s current recital program with the British pianist Simon Lepper, Here, before we parted, explores music ranging from Hungarian folk song to a new cycle by the American composer Clint Borzoni.

Originally from a small town in Colorado, an unlikely trajectory led Randall to begin singing countertenor in his mid-20s after several years studying the cello and composition.  In the spring of 2018, he received a PhD from London’s Royal College of Music focused on lesser known 18th century Italian opera.  Randall’s recordings include the DVD of Vivaldi’s Ercole sul Termodonte with il Complesso Barocco, the title role in Caldara’s oratorio Santo Stefano, and a contemporary cantata for countertenor and chorus entitled Dive: A Water Music.  For the BBC, he has been featured singing the music of J.C. Bach and speaking about Mozart and the castrato Manzuoli for the documentary Mozart’s London Odyssey.  A new recording of 18th century arias is currently in development comprised of modern-day premieres by uncommon baroque composers.

updated 18 Jan 2019




Randall sings the title role of Stefano on this studio recording of the Oratorio di Santo Stefano Primo Re dell’Ungheria by Antonio Caldara.  Recorded with the Savaria Baroque Orchestra in Budapest, Hungary


Randall performs the role of Teseo on this live DVD recording of Ercole su’l Termodonte by Antonio Vivaldi performed at Teatro Caio Melisso in Spoleto.  Recorded with il Complesso Barocco, conducted by Alan Curtis at the Festival dei due Mondi, Italy.


Randall sings as the alto soloist on this studio recording of The Metamorphoses by British-American composer Paul Crabtree.  Recorded at Church of the Epiphany in New York City with the Cantori New York Chorus, conducted by Mark Shapiro.